The Mask

 

 

 

 

 

 

 

 

 

 

Topeng (The Mask) - The Art of Orang Asli

The Orang Asli or aborigines of Peninsular Malaysia consists of 19 tribes and can be divided into three ethnolinguistic groups, i.e. Semang (Negrito), Senoi (Sakai) and Proto-Malay. Only two sub-groups of Senoi branch; the Jah Huts of Jerantut, Pahang, and the Mah Meri od coastal Selangor, are reknown for their skill of carving sculptures and masks or topeng.

The former display their mastery and ingenuity at sculpture, whereas the latter in masks and sculptures. Being animists, the wood carving is manifestations of their primitive beliefs of the supernatural world. Their masks are their heritage in so far as myths and legends are told via them. Characters in these stories are outward forms of various ancestral spirits, called moyang, who are either humans, animals or semi-humans. Incidentally, all masks are called moyang. The masks are used during spiritual dances such as joh and tengkeng, as well as sakat buang, a practice that uses the mask to cast away diseases from the sick.

Topeng - made by special wood.

The tradition of carving mask is predominantly a male pastime activity, passed on from father to son. Each carver specialized in specific spirits as there are over 460 types of masks. While Museum of Asian Art has collecting 111 pieces of masks from various types of moyangs. No mask of the same spirit is identical as each carving is individualistic. Very often, each type of mask consists of a pair of male and female spirits.

It takes about 2-4 weeks for a mask to be completed. Only two types of mangrove wood are used for carving; the nyireh batu (Carapa moluccensis) and the tingkong or pulai (Alstonia Spatulata, Blume). The former, the dark reddish brown hardwood is used mainly for sculptures and sometimes for masks, while the latter, the beige coloured wood, is used only for mask as it is lighter and softer

 

ZAHIRAH NOOR ZAINOL ABIDIN

Curator








The Mask : The False Face

 

Neolithic

The art of making masks have been in existence since the Paleolithic age. Early discoveries made at 30,000 years-old archeological sites in Teyjat, Dordogne and cave paintings in Lourdes, France indicate that people have been masks depicting faces of wild and haunted animals. It is believed that the one who wears such a mask would be granted extraordinary powers.

Masks may be divided into two main categories namely anthropomorphic which displays human characteristics and theriomorphic, displaying animal characteristics. Another important aspect to be taken into account is the process of creating masks. Anthropologists discovered that these masks, especially those made of wood, were made by special craftsmen of the community.
Masks created for rituals relating to death, spirit worship, casting away evil spirits and curing of diseases caused by the unseen forces are usually designed to look spooky or frightening, often with big boggling eyes, unkempt hairdos, long fangs, and even horns. On the other hand, masks for thanksgiving ceremonies are created with more appealing look using bright colors with a big smile and less scary fangs.  
Masks are created in various sizes. Those used for annual ceremonies, festivals and diseases-curing rituals are made to fit the size of human faces, i.e. between 6 to 8 inches. However, masks of bigger sizes as a large as two feet in height have also been discovered. Due to its impractically for usage, a mask of this size rarely designed except for some specific purpose or significance.
Within the Malay community in Malaysia, the mask wearing culture has never been significant. If ever, it would only be found in modern theatrical performance bearing no religious significance whatsoever. Today, masks are created as a art, being made to look more attractive or frightening simply for aesthetic reasons to be given as souvenirs rather than to frighten away evil spirits.
 

The Orthodox

The Jah Hut tribe in rural Pahang make masks too. Two groups of people – the orthodox elders, still wear masks with strong beliefs in taboos and special powers of the unseen, while the other generation creates masks for commercial purpose through constantly producing new designs. Masks are still used during special occasions amongst the Javanese and the Balinese communities in Indonesia. However, the presentation held to day are mostly to attract tourist. 

Today, masks are mainly used as decorations in art galleries or living rooms of modern urban residences. How or why masks were originally created has never been thoroughly scrutinized. To those actively involved in the preservation of culture in this country, this could be a challenge to be undertaken.
 

Hudo (Mask of t he Kenyah and Kayan Tribe of Sarawak)

Hudo is a mask m ade and worn by some of the indigenous people of Sabah and Sarawak namely the Iban, Kenyah and Kayan tribes either for cult u ral purposes of simply for entertainment. The mask is worn at the beginning or during the harvest festivals and also to welcome guests to their homes. 

The Dayak women of the Kenyah and Kayan tribe, wear Hudo to scare little children who are still playing outside at sunset. The wearer becomes the temporary mediator between his real self and the spirits. These masks are also worn by spiritual healers when conducting rituals and also during funerals.

The Museum of Asian Art has 16 Hudos presented by Mr. Nelson Tan of Sarawak.

 

CONTACT US:
Museum of Asian Art
University of Malaya,
50603 Kuala Lumpur.

Tel  : 603- 7967 3805 / 7967 3936 /

         7967 3849

Fax : 603- 7967 3985
e-mail : zahirahnoor@um.edu.my
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